I hadn't been on Tottenham Court Road for ages, until this afternoon. There have been many radical changes: Mr Topper the £8 haircut frog is now being undercut by Mr Leo, the £6 haircut dachshund. You'd think Mr Leo would be a lion, but no. That's the confusing, fast-changing nature of modern culture - even stereotypical animal names aren't immune to revisionist reboots. There were some other radical changes which are too radical and unsettling for me to even bother to think of at the moment.
But a constant presence on TCR is the Dianetics & Scientology Life Improvement Centre, a slick machine which uses an ever-revolving cast of troubled souls with poor critical thinking skills to recruit other troubled souls who will, in their turn, be expected to work there for a pittance and sleep in a cupboard.
As I went past, I was handed this ticket:

I've always been interested in the philosophy of consciousness, so I thought I would go in with an open mind. <- That's what I pretended I was thinking on Twitter, because of my lurking paranoid fear that the sinister Scientology cult would be monitoring everything I was tweeting in real time. My real motivation was to go in and sneer at unfortunate cult victims and what I anticipated would be their crudely-produced cult propaganda.
Also, one of the Scieno recruiters was quite beautiful, with that pale, long-legged, big-nosed, previously-unknown-species-of-forest-dee
r-caught-by-automatically-triggered-came
ra-placed-by-zoologists quality.
I approached her about redeeming my free ticket while she was talking to another cultist. When she saw that a member of the public was actually starting a conversation with her, she broke off with a startled "Oh!". I asked when the next screening of the film was, and she told me that I could see it right away. She led me confidently right into the heart of the Centre, a space I'd only previously explored by taking photographs into it during an Anonymous meat-troll event.
As she guided me up the stairs in the back, she made mechanical chit-chat like a hairdresser or prostitute would. "Are you working today?" she asked. It was about 3pm in the afternoon. "I'm actually looking for a job," I said, and she seemed disappointed, almost as if she had been hoping to sign me up for a load of expensive mumbo-jumbo courses. I fantasised that when the film was over, I'd tell her she was in a cult, de-program her and then take her home and bang her.
The reason I could see the film right away was that I had the whole screening room (only a little smaller than the titchiest screens you get in a modern multiplex) to myself. I took a seat right in the front row and the sexy deer closed the doors on me and said "Enjoy!" almost sincerely.
I was alone in a dark room in a cult centre, live-Tweeting. Did they have night-vision CCTV to monitor me in the dark? I imagined being hauled out of the room and ejected into the street, but then I realised I would be fine with that, so I kept tweeting.
What was the film like in terms of production? I was hoping for an inept trainwreck along the lines of The Room (2003), Birdemic (2010) or Death Bed: The Bed That Eats (1977), but the production values are actually pretty impressive for a 40-minute propaganda film. Like all the most effective propaganda, it harks back to a lost golden age, in this case 1950s America. (The production company responsible is actually called "Golden Era Productions".) The cinematography, sets/locations and the choice of character actors all work together to create an all-American bubble-gum-ad feeling.
You'll probably never bother to go and see this film (which, as I'll explain later, is a huge mistake on your part), so I'm going to indulge in the ultimate film criticism sin and just summarise the plot.
We open on a caption assuring us that this film is based on an ACTUAL CASE that's ONE OF MANY SIMILAR OCCURRENCES. We see a man in idealised 50s suburbia giving his boy a present of an American Football, wrapped in pretty ribbons but no wrapping paper. Cut to: the boy, now a man, playing American Football in a lovely stadium, still seemingly in the 1950s weirdly enough (that's not a plot point; they're not in a period simulation like in The 13th Floor (1999)).
The man has an American Football accident and is taken off on a stretcher. He awakes in a hospital bed (an establishing shot shows a sign saying "Westside Mercy Hospital" or something equally generic, which makes one wonder about the verifiability of this ACTUAL CASE). A couple of doctors discuss him
like arseholes even though he's right there and conclude it's "too bad" that "he'll never walk again".
The man's blonde 1950s fiancee shows up and starts talking about their wedding and their future together. The man reminds her that he can't feel anything from the waist down, and suggests she should leave him for someone "more romantic" (which I think is code for someone who can still fuck her
via pennis).
The man is cared for in the hospital until one day a nurse with a German accent turns up and injects him with something and assures him "we're doing everything we can". This is his introduction to the sinister world of psychotherapy/psychology/psychiatry (the film can never quite make up its mind which). A psychologist comes in, holding a textbook of psychotherapy, and tells the man that he has to adapt to his paralysed situation and what is holding him back from doing that is the fact that that psychologist reminds him of his father. He cusses out the paralysed man for not being "co-operative" when he raises objections, then says "very good" in a sinister way.
An even more sinister psychotherapist (?) is introduced. He has facial scarring and a goatee, spouts some Freudian psychobabble that is probably a pretty accurate pastiche of Freudianism, then tells the man that it's too late for him to be cured, and anyway, besides, curing people is against professional psychological ethics, because Freud said psychotherapy is an "interminable" process.
Then the man is taken for a
brain X-ray. Off-screen nurse: "The doctor's just going to take a picture inside your head". The psycho-guys say there's no spinal cord damage, and explain the man's paralysis as a hysterical reaction. One of them is eating a sandwich as they do this, to convey his disdain for true science.
The doctors agree that the best answer is to use psychosurgery to "tinker inside his head". We see a scary surgical scene where the doctors get ready to probe the brain of the fully conscious patient - but it's all a dream.
The man's sexually-frustrated fiancee shows up again and gives him a copy of L. Ron Hubbard's Dianetics, which she says was recommended by a friend. The man then spends an interminable couple of minutes of screen time reading the book aloud to the audience (ie me). He learns that problems are caused by "engrams", which are suppressed memories that aren't accessible to the conscious mind. It turns out that when he was knocked unconscious in the American Football, the coach or somebody said "Look at his legs! He'll never walk again!", which seems like a dick move, because we saw in the earlier scenes that his legs were physically fine.
He has some flashbacks to the accident, then twitches his big toe, then stands up, then jumps over a chair and dances. He leaves the hospital defiantly, against the orders of the assembled psychopomps. The one with the goatee says "This book is dangerous. It could put us out of business!!!"
The man gambols out of the hospital and into TEN YEARS LATER when it is the 60s but he has a 70s watch and a 10 year old son and his fiancee is his wife now. They play American Football together, as if the father has forgotten everything he learned about the attendant risk of spinal/engram injury. They lie together on the grass, smiling, and a caption comes up which says something like:
THE PROCESSES OF YOUR SUBCONSCIOUS MIND ENSLAVE YOU. ONLY WE OFFER TRUE FREEDOM.Just as you hope that the film is going to get really mental and descend into William Burroughs/Thomas Ligotti territory, that's it.
Here's the real misstep the Scientologists made: the door was not opened by the lovely forest deer, but by her scouse geezerbird friend. "WHAT DID YOU THINK OF THAT, THEN?" she asked. I said that I liked the 50s Americana feel, but I thought Scientology headquarters could have provided a localised version with English Football. "I KNOW EXACTLY WHAT YOU MEAN, MATE," she mirrored me skilfully, "I'M SO ENGLISH, ME, I'M LIKE, WHY IS IT AMERICAN?"
Then she showed me a two-minute film set in the modern day, emphasising that my problems come from when I was beaten by my Dad, scraped my knee as a little girl, and when my mum bumped into a kitchen drawer when I was in the womb. She asked me what I thought of it, and I told her that it seemed just as kooky as Freudianism, and left.
3 stars out of 5.
It's not the train-wreck I'd hoped, but it's free entertainment, and by going to see it, you consume the resources of an evil cult. You should see it. The staff are constantly changing, so you can go and see it again and again without them realising what's up. It could be your new The Room. Why not learn the lines and shout out the worst ones? "THE DOCTOR'S JUST GOING TO TAKE A PICTURE INSIDE YOUR HEAD!". Why not dress up as your favourite character, or throw copies of Dianetics at the screen? Anyone up for a mass visit on Saturday?